It did had a well-written script, which you hardly see in most Romantic films.
There's a twist to this film that is so easy to see coming that, before too long, the film even feels like it gives up trying to obscure it, and while that is the height in the final product's predictability, it's not the only predictable beat to the final product, which makes up for originality and dramatic shortcomings more often than not with considerable inspiration, but faces shortcomings nevertheless, falling short of its full potential.
With “Maudie,” she has that and more. Jan Sardi (adaptation), Aesthetically, the film accels with a graceful taste that does a fine job of breathing soul into flawed substance, whose effectiveness is ameliorated a bit by the filmmakers' aesthetic punch-ups, but, quite frankly, doesn't need pretty visuals and nice tunes to gain your attention.
A poor yet passionate young man falls in love with a rich young woman, giving her a sense of freedom, but they are soon separated because of their social differences. E!
In the interim, Allie becomes involved with another man (James Marsden). UNLIMITED TV SHOWS & MOVIES. |, By 2004, they had, like, twelve adaptations of Nicholas Sparks books, and it took them this long to get around to adapting his first one. Movies move us like nothing else can, whether they’re scary, funny, dramatic, romantic or anywhere in-between. MovieWeb I would highly recommend this movie to both males and females. J.R. 'Bob' Dobbs & The Church of the SubGenius, Fall TV First Look: Find Out What’s Coming, The Best Peacock Original Shows and Movies, All Upcoming Disney Movies: New Disney Live-Action, Animation, Pixar, Marvel, and More. They all deserve an Oscar, if this movie would have gotten more positive reviews. The footage is featured on the DVD as deleted scenes. What's the Most Romantic Romance of the 21st Century? Directed by Nick Cassavetes. Now when was the last time you saw anything like that?? The performance from each cast were great. PG-13
The Notebook Almost Starred George Clooney Instead of Ryan Gosling. The Notebook is a ghastly piece of oldie slush which is tediously orchestrated by Nick Cassavetes. When Duke is called in to see the doctor (after he had been reading to her again) he sits at the doc's desk. Ryan Gosling was director Nick Cassavetes' first and only choice for the role of Noah. Here I am rewatching it from the beginning to the end, and I have to say that I pretty much enjoyed it. Just below that it reads "Ticket Confirmation#:" followed by a 10-digit number. The love scenes had to be toned down to avoid an R rating in the United States.
| Rotten (84).
I don't remember too much about the movie but other then the fact that the drama was wayyyy too forced.
| Starring: Ryan Gosling, Rachel McAdams, James Garner.
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She is foolin' around with that boy until two o'clock in the mornin' and it has gotta stop! Nicholas Sparks' story concept is, of course, flawed, being derivative and with its share of subtlety issues, but when you step back and see through all of the hiccups, you can find one of Sparks' most worthy concepts, and while such a concept is not fleshed out nearly as much as it could have been in execution, it's rich with endearing heart that cannot be ignored, especially when emphasized by what is, in fact, done right in Jeremy Leven's and Jan Sardi's script, and, of course, Nick Cassavetes' direction.
Over the past few years, the stellar British-born actress Sally Hawkins has been working steadily, but it’s been quite a while since she’s gotten a role that allowed her to steer a whole movie the way her critical-breakthrough lead in Mike Leigh’s 2008 “Happy Go Lucky” did. We won’t be able to verify your ticket today, but it’s great to know for the future.
and to receive email from Rotten Tomatoes and Fandango. Needless to say, the histrionics would be more forgivable if the storytelling beats that are somewhat cheesed up weren't so familiar, because if no other department in this effort feels somewhat lazy, it's the originality department, which turns over stone after stone, until predictability ensues.
There have been more histrionic interpretations of Sparks' questionable dramatic efforts, but when this film's genuineness slips, its subtlety lapses range from offputting to considerable, whether when it's slapping down a rather disconcertingly syrupy dramatic beat or going so far as to craft such borderline over-the-top characters as wealthy, disapproving parents antagonists, whose layers feel a particularly forced, yet are not the only questionable components to characterization depth.
It's hard not to admire its unabashed sentimentality, but The Notebook is too clumsily manipulative to rise above its melodramatic clichés. |, April 18, 2019 Just confirm how you got your ticket. Never quite escapes the been-there-done-that feeling of Hollywood romantic cliché with sunny photography and perfectly tailored costumes to boot. The plot was interesting and well told, but it takes too long to get into the point.
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